I hung onto those recordings, and cut dozens of SFX samples.MP3 Juice - Free MP3 Juice Music Downloader Parallel to that was my Sony PCM D100 capturing some different perspectives. This rig was TC sync jammed with the camera, and is what was sent to production at the end of the day. The first was a spaced pair of Sennheiser e614’s into a Sound Devices Mix Pre 10.
We spent a whole day recording an audience clapping, cheering, laughing, booing, and reacting to scenes in the show. I was admittedly nervous… but it was an opportunity I couldn’t pass up. This would be my first time doing location audio, flying solo with an unfamiliar rig. They doubled booked his company, and needed a sound guy to run a B-rig for a crowd recording day. It was near the end of the job that I got a call from Rob the sound mixer. The lunch-time frisbee games were a highlight. It was my first time on a film set, and after a handful of trips I felt pretty comfortable in the environment. They were nice gents, and kindly humoured the dozens of location-audio questions I’ve been harbouring since the start of my field recording journey. Over the course of several recording excursions, I got to meet and hang out with the show’s location sound crew from Audio Process. It was a great experience, and I’m thankful for the unique opportunity. There we would set up make-shift studios in some less-than-ideal locations.
Because of their intense shooting schedules they often couldn’t come to Toronto, so we had to trek out and meet them in Niagra Falls. We wrote dozens of original tracks, and I was tasked with recording actors laying down the vocals.
We picked up a show over the summer, that had extensive music demands. My journey at Eggplant Music & Sound continues to surprise me. I’m happy to write about another cool and unique recording opportunity from summer 2021.
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